Tell me how it feels to be looked at like that. When your paint is so dramatic, eyes step beyond the taped line. Risk of getting thrown out of museum is worth it just to see that tiny hair– trapped for one hundred and eighty years– caught up in lonely greens and browns. Contemplate how that human called your body’s origin: a violin. What are your parents. What color are you if I dripped you open. We can be allegories on this earth as everything in sight tilts toward our fright. Let’s pretend we only just started to exist. They called my blood stained glass, bent fingers into each other, prayed toward my carbon dioxide. Today, I give away four tablespoons of urine to analyze all the haunts that have ghosted their way in. What is so spiritual about discharge. Owls and graveyards and ruin and I dreamed I had to explain why my wrists have blurred. How to mute the dread of tomorrow, which reeks of the day before and the one which will arrive two days from now. And taciturn and monsoon’d. There is a motif for prayer and it looks like a four-stringed instrument & curled voice of poet pretending how to live. Wonder about monks. Wonder how to rely upon four minute allowance of dress and razor and mercy and water strainer and needle. Wonder how to practice abstinence of appetite, while abstaining from all practices of celibacy. And if one cannot be holy in its intimate form, how to be a hummingbird. Forage shade as though it can be eaten and when all of it is gone, sleep inside the orthodoxy of dark.