“A body holding its own dusk/ That is what a predator is, mostly.” –Elizabeth Robinson
Here is how it goes. The author sits wearing wet hair and long underwear. Breath of peppermint and coffee, barley and long-distanced lover’s tongue. Outside, one could pretend it is spring, but it is too cold to title it as such. The author has consolidated their loans; the author has consolidated their bones.
Monthly payment does not match bank account and when asked how many members in family, suddenly one sounds synonymous with failure.
A body searches its contents and recognizes only the stink of bones, but cannot recall if that is actually what they are called. It is a time congruent to morning.
It can be immensely humbling to prove one’s poorness. There is enough food in cupboards and shoes to wear and enough options of laundered clothes to fill a drawer and closet. Hot water and heat paid for by unseen landlord. The author can even afford capers, but chooses to wait for tax return.
However, the amount owed far exceeds the amount author owns and on this morning of unzipped blue denim sky, the author cries store-brand version of tears and swallows store-brand version of oxygen.
A body exhales and spits out the dust of agony.
This is not about educational tabs running over. Nor is this about economic class or the woes of a poet in search of a space safe enough to wrap skin around. This is not about what plagues a body. Nor is it a prompt for pity.
This may be about what it feels like to occur. To be the one folded in the corner of rooms wondering why every circumstance is a reminder of what you do not have.
How to populate with only words. How to birth without heteronormative consumption.
Here is how it goes. The author hikes toward the closest mountain found within the nooks of mind. Digs torn-up fingernails into soil that is highlighted by the sun. Fondles the pebbles and branches, which feel like found currency. Puts loot into pockets. Continues traveling up. Up. Higher. The author pretends to be unafraid of heights; the author does not look down. Up. Higher. Until. The only thing that matters is the wind. The curves beneath each step. And the way down.