an (atheistic) approach to belief

I carry a bible in my pocket now. It fits inside fake leather dip of hiding space. On the subway, I sneak it between my palms and underline the language that makes my blood seep through the holes in my skin. When I drip, I take note. This has become my companion these days as I gather up bits of moon and shadow, and conversational outbursts with others. Love is found in these pages. No need for beds or hand holding anymore; in this bound collection, I have found what I am most in need of: challenged thought and deeper meanings.

My volume is a bit different. There is God mentioned, but less attached to religion and more saturated by the language of poetics. I call it my bible, but it calls itself: Letters to a Young Poet by Rainer Maria Rilke. Sixteen years ago, a teacher of mine gave it to me and I have carried it from home to home in various states and mindsets. What led me to reopen this book and sew it to my body in this way is what I think might lead others to attend to their own searches. Seven years ago, I fell against pavement and received nine stitches among other medical help. One month ago, I fell in a different way and this book is my cane. For now.

I am not sure the moment I started calling myself an atheist. Several events could have led me there, but I believe it became solidified when I couldn’t find meaning to the parts of me stained and scarred by these happenings. I just stopped believing. Though as I look back, I still had/have my beliefs. I believe in magic and found it in humans and love affairs and at the tops of mountains and in cabins. I believe in poetry and the essence of its healing powers.

This is probably what led me to house this particular “bible” in my pocket.

Rilke writes, “…ask yourself…whether you have really lost God. Isn’t it much truer to say that you have never yet possessed him? Why don’t you think of him as the one who is coming, who has been approaching from all eternity, the one who will someday arrive, the ultimate fruit of a tree whose leaves we are? Don’t you see how everything that happens is again and again a beginning, and couldn’t it be His beginning, since, in itself, starting is always so beautiful.”

I replace “God” with “love”. I replace “God” with “words”. I replace “God” with “you”/”your”. 

All of this doesn’t have to be an end to something. That period at the end of the sentence could be its beginning. The loss of another could be the beginning of something so much deeper.

Yesterday, I was thinking about pronouns and how we are given a name at birth and a pronoun attached to it, but what if it doesn’t fit? So we make our own versions of what we need and what we are. This pertains to my atheism or what I thought my spiritual (non)belief was called. Perhaps I was never one. Perhaps there is something in between belief and non. Like: betweeniest. 

My mind is not set. Even at this age, it changes. Sometimes, it falls apart and I have to reshape it. This can be exhausting; however, it offers me a chance to rummage through the parts of myself I so often neglect. We do this sometimes.

So, I take off on a trip and feel the miniature words of Rilke press against me. It is erotic in how alive it makes me feel. Fear is what has kept me away from living (at times). Fear of understanding what I just don’t understand. Finally, finally….I am ready for answers found in these letters written between 1903 to 1908. Still relevant and connected to the language of the earth we all linger on.

And that’s kind of accurate….we linger. We loiter. We endure. And to fill in all the gaps and breaths of silence, we question.

even in doubt there is conviction

Dear Air.

I call you this because I do not see you. And I’d rather call you something that maybe you haven’t been called before. I write letters to you but they pile themselves into my palms and my arms shake. My wrinkles drown beneath the words I do not send you. But if you are all around me then I just may leave these notes on my body. You will find them as you wrap yourself into around me. Forgive my misspellings or unintelligible gasps. This language is heavy and I am tired and I am tired and I am tired. My prayers are edible and I forget to chew and there is choking and sometimes the spice causes me to lose control and when it is bland I rub my sweat into its soundlessness. You will never find me on my knees and my hands do not clasp and I do not wear beads or count blessings. The songs are only about the soil I wish cluttered around my bones because blood is too thin and much more grows out of dirt and clay.

Dear Wind.

I call you this because I hear your hum. And even in my tears, you climb into my salt and press them away. The other day, you lifted me up from path toward underground subway. My toes flew for a moment. If I threw paint against your invisible, you’d be stained glass. You’d be oil slick puddle of rainbow. Believe? Does it matter? I feel and this sense does not need to be in buildings or engage in holy. I do not need to memorize your songs; I have my own. I will not starve or separate or cling. The thing is, I’m still here. I’m still here.

That is enough.

take a knee

for { _._ }

We are often humbled by our crazy. By our hypnosis of chaos and gutted scar tissue. Why must we press pills into mouths who converse with invisible tribes. There is no need to call in sick or call out numbers like 9-1-1 when knees only need some dirt or wooden plank and hands can clasp or shake; there is really no uniform to this. Just breathe or don’t and it will all arrive in time.

A New York City rodent eats away at my french sourdough bread–purchased at the farmer’s market–which I left on my kitchen counter, and I am angry. I grow sad that it didn’t ask permission. And I want to know if there was enjoyment in its yeast. And I want to know if it grew bloated afterward. Or did it take the time to spread some peanut butter on it. And did it pray beforehand or at least take a moment to express gratitude for this find.

A small white dog barks at me on my way home from work and I begin to cry. I think about a big black dog too far away to pet. My arms are willing to stretch far to reach him, but I’d have to remove them first. I pick up one of my tears as though it is a child that just needs to be held. I let my tongue travel through its salt and memory.

I just want to know what home feels like.

Sometimes this city feels like a zipper I feel trapped in and there is too much blood to mention or measure but the music distracts me and the free love overwhelms me.

I see a hazel leaf by my foot, which is trapped in false leather; this smells of dust and Halal trucks fuming; hear the woman by the F train gasping out her cigarette.

am i breathing is this breathing is it breathing if i feel do i feel is this feeling what is felt

Woman plunges her map into my water.

Fall hard.

What is really meant by prayer? My knees are atheists. My breasts are annoyed and what fits between my legs is no longer fitting. What do I say? Forgive me? Reference how long it has been since the last time? This first time is the last time which is the only time which may lead to the next time, but I really cannot be sure.

arrival of place

Uptown, there is a church.

It is curvy like a woman should be, wrapping around a corner avenue.

This church is made of stone and wood carvings and stained glass and I spoke to God, even though we aren’t always on speaking terms.

You don’t have to answer me back, I whispered.

Elevated, with stage in front of me, and a jump contemplated and a staircase leading nowhere, I sat on a theatre seat. I tried to ignore the smell of mildew and judgement.

There was a ledge, which looked down on the pews and pulpit. It was protected by a criss-cross see-through fence, that I wanted to sew myself into. Or, peek into each diamond eye and notice the restricted images.

I am preparing for a performance. Of movement. Sexuality. A body. Some revelations. Singing, perhaps. Condoms, because I have always wanted to tear one with my teeth in the house of God and nudity because….well….ditto.

We will make sure to clean the stage, said one of the curators, earlier.

No, I said. I like that it’s dirty.

Prayer dust.
Flakes of skin of mourners, sinners, absolutionists.

I scribbled in my notebook:
body as stained glass
three-dimensional rainbow magnifications of angels and prophets
a shatter
grit
a tutorial of how
sex as performance
the nudity of church or religion or belief

I think I want to believe in something strong enough to get me through all my death thoughts.

I think I want to ask God what s/he thinks about gender and push-up bras and botox and welfare and homelessness and anxiety attacks and fat free everything and student loan debt and the rise in gluten allergies and if it’s OK that I used to be a sex worker.

Forgive me [?]

Friday, June 1st, I press my sexual politics onto a stage in a church in NYC at the Movement Research Festival. And I’m thinking about what it means to talk about sex in a building where God lives or Bibles rest or hands clasp and tongues pray.

Will they let me in?